We checked out the new Brighton food venue Cellar and spoke with owner Dan Kenny and Chef Paul Smith about how they created an unstuffy dinning experience that serves up tapas with a twist.

Let's Go Sussex visited Wild Flour Pizza in Ovingdean to chat with the founder and co-owner Chris Phillips about the relentless pursuit of the perfect pizza!

We speak to Peter Dantanus, Burnt Orange’s Head Chef about what’s on the menu at this new Brighton's food and cocktail venue.

We speak to Olivia Reid, Sessions Food Director, and Kenny Tutt, Masterchef winner and founder of Ox Block, about Shelter Hall, Brighton's new seaside food hall concept.

We speak to James Thompson, Director and Owner of Wild Flor, about the restaurants ‘well-cellared’ wines and classic, familiar cookery.

Manick Govinda, Art Critic and Writer, takes Let’s Go Sussex on a tour of some of his favourite hotspots in Hastings.

We chatted with Steve Campion, Co-Founder and Creative Director of Good Noise, about branding and design for local restaurants and pubs in Brighton and Hove

We chatted with Dan Walters, See-Creatures Creative Director, about creating colourful pattern designs for international brands, painting eye-popping murals for local craft-breweries, and why he loves living in Brighton.

We speak to the founder of Slake Spirits, Thomas Martin-Wells, about creating wild-inspired recipes for their range of delicious drinks - all meticulously made with gathered and grown ingredients to capture and showcase the flavours of Sussex by the Sea.

We speak to Co-Founder of the British seaside hotel challenger brand 'Port' Peter Cadwallader about what his new Eastbourne property has to offer to it's guests and the local community.

Urban Industry specialise in premium Outdoor, Workwear & streetwear clothing including brands like Arc'teryx, Patagonia, RAB & The North Face. We popped in to their shop, to chat with owner Dan King about online retail sustainable fashion, and growing a business in East Sussex.

'All Things Analogue' curate a range of analogue tools from around the world to inspire you to write, draw, capture and build with. We caught up with founder Abel Dos Santos about his passion for stationery and the warm welcome he's received in Eastbourne.

We spoke to Sales Director of Bedlam Brewery, Danny Hoskins, about the changing tastes of beer drinkers and how locally sourced ingredients have become a must for discerning pub-goers.

We spoke to Lauren Pollard, Head Baker and Co-Founder of “To The Rise” Bakery about the joys of cakes and bread, the relationship between food and community, and the importance of sourcing local ingredients.

Specialising in plant-based health foods, nutrients, remedies, tinctures, teas, and much more, we spoke to Amanda Copping about her store, Longleaf, and her mission to help customers on their journey to natural health and well being.

We speak to Ben Walgate about his organic, bio-dynamic farm and vineyard, and his holistic approach to producing a sustainable and self-sufficient business in the Sussex countryside.

We spoke to John Berry about Printers Playhouse and the Grove Theatre, his love of drama and the importance of the local acting and writing community.

We speak to Phil Evans, Director of Tourism and Enterprise for Eastbourne and Lewes, about the facilities and interconnectivity of the new Welcome Centre in Eastbourne’s Devonshire Quarter.

We speak to Mark Driver and Chris Bailey about growing sparkling wine and cooking great food in the beautiful South Downs National Park.

Through local farmers and suppliers, craft breweries, budding vineyards and world-class restaurants, the county of Sussex offers up a truly mouthwatering feast.

Lets Go Sussex’s film critic, Robert Chandler, reviews Ryan Reynolds latest movie FREE GUY. Will this mash-up of THE TRUMAN SHOW, THEY LIVE, and TRON be bigger than the sum of its parts? Read Robert’s review to find out!

Let’s Go Sussex Film Critic, Robert Chandler reviews Leos Carax’s ANNETTE. A wild and surreal cinematic ride that has divided audiences. It’s Robert’s film of the year, but he says be prepared to hate it.

Let’s Go Sussex Film Critic, Robert Chandler has a license to review the latest Bond movie. Will he be bored of Bond or shaken and stirred? Read his review to find out.

Let’s Go Sussex’s Film Critic Robert Chandler reviews two crazy aircraft movies - SHADOW IN THE CLOUD & BLOOD RED SKY

I liked Netflix's FEAR STREET: 1994, the first of a trilogy of Fear St films. The second is set in 1978; the third in 1666. Gradually the origin of a witch monster and the evil that lurks beneath the town named Shadyside is revealed through the three films.

Nothing in THE TOMORROW WAR is original, yet I love alien bug-hunt movies and this I felt was almost good enough. If I ignore the story-slips and daft behaviour of its characters, none of whom would have survived the situations in which they found themselves.

IN THE HEIGHTS is a joyful and exuberant trip, a musical that feels of-the-moment and much needed, not least because it’s a celebration of community and of being outside.

After the disappointment of THE FALCON AND THE WINTER SOLDIER, which had the habit of running away from all the things that were good about itself in favour of following a small-minded, dull story about generation terrorists, LOKI landed yesterday on Disney+ and hit all the right notes!

CRUELLA is terrific. A touch overwrought, but nonetheless a visually ravishing and aurally exciting origin story for one of Disney's great villains.

THE MITCHELLS VS THE MACHINES is dazzling and fully-loaded, and carves out its own style, building on the animation techniques developed on SPIDER-VERSE, adding hand-drawn illustrations (provided by daughter Katie) to embellish frames and feelings.

HONEST THIEF has a reasonable premise (a successful bank robber decides to turn himself in when he meets a woman he falls in love with), which it then unpacks and explores in all the right ways...but without any subtext or depth, or even feeling for character. What is left is all surface.

WITHOUT REMORSE plays like it was written by a fourteen year old raised on Call Of Duty. Except it was written by Taylor Sheridan, who only a while back wrote the surprising SICARIO and the beautiful, character-led, HELL OR HIGH WATER.

Writer Andy Siara and Director Max Barbakow have fashioned a gem. PALM SPRINGS is a metaphysical enquiry into love, fate, and the nature of happiness, disguised as a light comedy! The film stars Adam Samberg, Cristin Milioti and JK Simmons as three characters trapped in a loop that winds around a wedding day event held in Palm Springs.

GODZILLA VS KONG represents the diminishing returns of the misguided “monsterverse”. A series of films made by mediocre fanboy directors and executives who think fan-service is the way to go. Well, it isn’t.

THE FLIGHT ATTENDANT is funny and self-regarding; ironic, fast-moving and beautiful. Like its protagonist.

A crime-thriller with split screens and a self-aware score. A must-see.

Well, it was definitely a lot better than the mess of the Whedonised release. Zack Snyder's JUSTICE LEAGUE needs half-a-working-day to watch, but it's worth it. It's certainly flawed, but what's there is at least consistent and sure of itself. Snyder knows how to frame and a compose a shot, and add surface lustre to the telling of a hero's tale. The trouble is he has a habit of doing it at the expense of nuance and humanity.

Aaron Sorkin's THE TRIAL OF THE CHICAGO 7 is the third film in fifteen years telling the story of the defendants brought up before the US court following their part in the anti-war protests at the 1968 Democratic convention in Chicago. The trial has become a signpost event, marking a time when the establishment was crumbling and new "liberal" views were taking hold.

Judd Apatow’s THE KING OF STATEN ISLAND tells the semi-autobiographical story of Pete Davidson (provisionally playing himself) as Scott Carlin, who has been traumatised since the age of seven, when his father, a firefighter, died in the conflagration of 9/11.

Sofia Coppola's ON THE ROCKS is a gentle look at a marriage that might be in trouble. It runs a regular 90 minutes (it always feels like a relief when a movie promises a running time of one and a half hours), though in truth its story could have been told in 65.

Good grief. WONDER WOMAN 84 is appalling.

It’s as though DC, Geoff Johns and Patty Jenkins took the Richard Lester antics from SUPERMAN 2 and 3 as their tonal influences and married them to a story inspired by SUPERMAN 4.

Well, this is interesting. WANDAVISION... going all out to try something different... and mostly succeeding.

Netflix's LUPIN is a triumph! Omar Sy is foxy and beguiling as Assane Diop in this contemporary spin on the classic stories of Arsene Lupin.

Some Pixar films have evolved to a point (and have the finance and distribution muscle behind them) where they can just tell interesting stories about people. Stories that have something to say. SOUL is one such film. When Pixar makes movies like this, the studio reminds us that animation is not a genre but simply a form of story-telling, one that can be vital, accessible and profound.

I was wanting a bit more from NOELLE on Disney+, if only because its writer/director, Marc Lawrence, made one of my favourite movies: MISS CONGENIALITY.

He also wrote and directed MUSIC & LYRICS and THE REWRITE, two very good Hugh Grant romantic-comedies. Marc Lawrence makes the kind of films people love. His films belong to a genre that’s difficult to get right, but critics rarely write about them in any meaningful way.

THE RHYTHM SECTION is a more interesting "spy" film from Eon than the two recent James Bond ventures (Spectre and Skyfall.)

Blake Lively pitches herself into the role of a woman whose family has been killed in an airliner crash and who then seeks retribution. First she has to be rescued from her despair by a series of men.

Tom Hanks is excellent as Mr Rogers, a children’s tv presenter (an unknown figure to most British folks), who delivers feel-good bromides via puppets and his on-screen persona. His statements appear simple, but are deceptive. Like his songs, they chime with poetry and have a way of cutting to the heart of a matter.

THE QUEEN’S GAMBIT on Netflix is as good as everyone is saying. Scott Frank’s storytelling is clear and precise. It lands. Awareness of the series has spread mostly through word-of-mouth on social media and through Netflix’s recommendation algorithms. This is the future for movie marketing.